Pete Rock behind the boards.
Pete Rock behind the boards.
To celebrate the release of the superb Nineteen Ninety Now LP with Celph Titled, Buckwild is releasing a limited-edition vinyl EP (only 200 copies) on No Sleep Recordings, with remixes/unreleased cuts with Celph on the A side and some unreleased remixes on the flip. Here’s his lost remix of ‘Fast Life’ – not to be confused with the Salaam Remi or Vinyl Reanimator versions.
Check out the project tracklist after the jump.
HERE IS SOME VINTAGE FREESTYLE FROM MYSELF AND WORDSWORTH RHYMING ON HOT 97 ON THE STRETCH & BOB SHOW
FOR ALL THOSE THAT FORGOT THAT WERE ONCE ON HOT 97 BACK IN THE DAYS.
Fans of analog music were dealt another blow when consumer electronics company Panasonic announced earlier this month that it would be discontinuing the audio products within its Technics brand, most notably the legendary line of analog turntables.
On October 20, the company said that it was winding down production of the Technics SL-1200MK6 analog turntable, the SH-EX1200 analog audio mixer and the RP-DH1200 and RP-DJ1200 stereo headphones due to challenges in the marketplace.
“Panasonic decided to end production mainly due to a decline in demand for these analog products and also the growing difficulty of procuring key analog components necessary to sustain production,” the company said in statement issued to The Tokyo Reporter.
Last year, Japan’s last remaining vinyl pressing plant, owned by the production company Toyo Kasei, produced around 400,000 discs from its multifloor factory in Yokohama’s Tsurumi Ward, a far cry from the industry’s peak of 70 million four decades ago.
Panasonic said that sales of analog decks today represent roughly 5 percent of the figure from ten years ago. At present the company has no plans for putting analog turntables back on the market.
The SL-1200 series turntable, which enjoys a massive following in the DJ community and with vinyl audiophiles, had been in continuous production since 1972. Since then 3.5 million units have been produced, making the brand’s purple and grey logo (“Technics” written twice) an icon in clubs.
The Technics brand had achieved its widespread popularity largely due to its durable Direct Drive (via magnets) turning mechanism and its heavy 12.5-kilogram base (composed of what is known as the Technics Non Resonance Compound), which isolated the platter so as to reduce feedback and the chance that the cartridge would jump.
Japan’s DJ community was abuzz, notably on the social-networking site Twitter, following the announcement. Tatsuo Sunaga (dubbed “The Record Chief”) said in an email that the announcement was unfortunate.
“I’ve been using these products for around 20 years and rarely suffered a breakdown,” explained Sunaga, who is a club DJ, spinning jazz up and down Japan, and the author of “I’ll Take That Record!” — a chronicle of a three-year vinyl-buying spree. “This type of excellence is something not seen globally, and I think the fact that one doesn’t need to purchase subsequent models as being the reason for forcing the move.”
But even if turntable manufacturers targeting top DJs continue to shrink their output, Sunaga sees those who prefer analog today as being too obsessed with the format to allow it to become extinct. “I don’t think analog users will lose interest,” he said.
Regarding the Technics brand itself, nothing has been decided other than the discontinuation of the mentioned products, the statement said.
The Tools of War True School NYC Park Jam Series returns for its 2010 edition with an impressive lineup of world renowned DJ’s, turntablists, cratediggers and selectors.
Backed by a Noisemaker Media production, this Mark Carranceja filmed/directed edit gets a nostalgic black and white treatment. The 2010 series continues at the legendary Crotona Park in the Bronx as breakers, DJ’s and true school enthusiasts alike gather at the Park Jam to revive Hip Hop tradition.
True School NYC Park Jam Series | Crotona Park | July 2010 | Filmed and Edited by Mark Carranceja of Noisemaker Media | Music Produced by Snake Eyes
Pridružite nam se večeras u klubu Aquarius (A1) na proslavi prve godišnjice stranice Blackouthiphop.com! Za gramofonima su Phat Phillie i Independent, a vrata se otvaraju u 22 h.
S imenima i prezimenima za popis nam se možete javiti do 18 h na firstname.lastname@example.org
Let’s get it poppin!